2020. március 6., péntek

LEED Gold-certified Azurmendi crowned Worlds Most Sustainable Restaurant

Three-star Michelin restaurant Azurmendi has once again been crowned the “World’s Most Sustainable Restaurant” by The World’s 50 Best Restaurants. Noteworthy for its renewable energy systems that offset the building’s carbon footprint, the LEED Gold-certified restaurant has also distinguished itself as a leader of sustainable development with its proactive community role in encouraging knowledge-sharing and a circular economy. Located in Spain near the town of Bilbao, Azurmendi is also currently working on a germplasm bank to host over 400 local seed varieties of vegetables to show the importance of preserving genetic diversity. 

greenhouse attached to a restaurant

Helmed by owners Eneko Atxa and Gorka Izagirre, Azurmendi was developed with the belief that all parts of the restaurant’s operations should be holistically considered, from the land it sits on to the surrounding Basque cultural heritage. Completed in 2010, the bioclimatic building was designed to minimize site impact and incorporate local and recycled materials as well as cutting-edge renewable energy systems. In addition to being recognized as the World’s Most Sustainable Restaurant by the World’s 50 Best Restaurants in 2014 and 2018, Azurmendi also earned LEED Gold certification and is the first sustainable restaurant of its kind on the Iberian Peninsula.

Related: Eco-friendly Brae restaurant and retreat targets net-zero energy in Australia

tree stump seats inside a room of glass walls and ceilings

cloth-covered tables beside walls of glass

Along with adherence to passive solar conditions to minimize energy usage, Azurmendi is equipped with highly efficient insulation, energy-efficient fixtures and high-performance glass that improves energy savings by 50%. The building draws power from photovoltaic solar panels as well as geothermal energy, which is used to power the climate control systems. Rainwater is collected and stored in tanks large enough to cover 100% of irrigation and toilet needs.

bright orange tables and brown seats in covered courtyard

lounge chairs in a room with glass walls

To further reduce its carbon footprint, the owners planted 700 native trees around the restaurant. They have also joined an initiative promoted by the City of Larrabetzu to recycle all of the restaurant’s organic waste into compost that is then used by local farmers to fertilize their fields. Azurmendi works closely with several producers in the area for local ingredients, which are picked up by a single truck in one trip to reduce carbon emissions.

+ Azurmendi

Images via Azurmendi



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Roaming shipping container museum brings contemporary art through Panama

Panamanian architect Héctor Ayarza has figured out a cool and sustainable way to bring art to the masses. His fantastic Wandering Museum is a roaming structure made out of two reclaimed shipping containers. The project helps bring certain works of art from the Museum of Contemporary Art throughout neighborhoods in Panama City.

a shipping container building with multicolored exterior

The project began as a collaboration between the Panama City-based Museum of Contemporary Art and Ayarza. Hoping to showcase certain pieces that may not have permanent space in the museum itself, the team decided to create a sustainable way to bring a selection of contemporary art collections to people in various locations throughout the city. They did this by turning to recycled shipping containers.

Related: Spectacular new shipping container museum nestles near China’s Great Wall

two shipping containers turned into a museum

evening shot of building made out of shipping containers

Towed on the flatbed of a truck, the lightweight Wandering Museum travels easily through the city streets. While it is on the road, the traveling museum is instantly recognizable thanks to its multicolored design. Bright stripes of red, orange and green cover the shipping containers’ exteriors, bringing a fun, vibrant feel to the project.

museum interior room with walls made of particle board and a huge chalkboard

shipping container with multicolored exterior

Once parked, the shipping containers are laid out in a perpendicular formation. The entrance is through one end of the first shipping container, which is painted black inside. This is the main exhibition space, with a minimalist atmosphere that emits the same contemporary style of the permanent museum.

a shipping container with red, orange, and green stripes

aerial shot of two shipping containers with the words, "Panama MAC" on the roof

The second shipping container has interior walls that are clad in a low-cost particle board with various shelves. There is also a floor-to-ceiling chalkboard, where visitors can leave messages. An entire side of the container can be completely left open, inviting art-lovers to explore the interior contents while also socializing in the make-shift courtyard space between the two structures.

+ Héctor Ayarza

Via ArchDaily

Photography by Fernando Alda via Héctor Ayarza



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2020. március 4., szerda

cigu creates a hotel room of the future that emphasizes water recycling

For the Hôtel Métropole exhibition at the Pavillon de l’Arsenal, Parisian design collective ciguë recently showcased “Une chambre pour demain” (A Room for Tomorrow), an experimental redesign of a hotel room that champions water recycling. Created as a reaction against the amount of unseen excess and waste in the hospitality business, the pavilion takes the shape of a minimalist hotel room that uses a series of rainwater harvesting systems estimated to offer 70% water savings as compared to a standard hotel room.

close-up of two metal water tanks

The design for A Room for Tomorrow began with the architects’ comparison of hotel rooms to time capsules, in that their designs are typically reflective of the way of living in a particular era. “With our current times accelerating faster than ever, it however seems as if the evolution has wound down, the model has become almost stagnant and is being duplicated indefinitely with a quest focused more and more on comfort, perhaps as a way of forgetting that there is an urgency to react,” ciguë explained in a project statement. “Meanwhile, thousands of bathtubs are being filled, emptied and refilled as we speak.”

Related: LEED Gold eco hotel in the Wine Country was built using reclaimed wood

person in hotel bathroom with clawfoot bathtub

To bring attention to the urgency to act on environmental concerns and present possible solutions to the excesses in the hospitality business, the architects worked together with environmental engineering experts Le Sommer Environment to create a home room prototype with a focus on recycling. The room is deliberately stripped down to its solid oak skeleton, which was built to be easily dismountable so that the parts can be recycled. The focus of the pavilion is the bathroom, where water-saving technologies are demonstrated.

water-saving bathroom with wood-beamed ceiling and a claw0foot tub

The minimalist pavilion features an open ceiling, through which two water tanks can be seen. One tank is for rainwater collection and the other is for storing water rendered potable through phytopurification plants and activated carbon filters. Graywater from the bathtub and sink are filtered, collected and reused in a closed-loop circuit. In the corner, a transparent composting toilet bowl shows how human excrement is separated into liquids and solids, with the latter to be transformed into compost. A Room For Tomorrow was on display in Paris from October 16, 2019 to January 12, 2020. 

+ ciguë

Images via Salem Mostefaoui and ciguë



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KALOs PVC Bench is made from plastic waste and wood scraps

This stylish piece of minimalist furniture is made out of recycled materials and fit for two. The special project was designed and constructed by the multiple award-winning design and architect firm, KALO. It uses a combination of upcycled, crushed PVC pipe sold as post-consumer scrap as well as discarded wood from the designer’s other projects.

wood bench on white background

The piece, simply titled “PVC Bench,” consists of four different components. Broken and discarded plastic pipes make up the top part of the seat, while the remaining legs and seat support were constructed using off-cuts of walnut that KALO had left over from a prior design. Besides the wood scraps and the recycled plastic pipes, the only other material used was resin, which is typically non-toxic and water-based.

Related: 14 green furniture designs using reclaimed, recycled or rapidly renewable materials

close-up of speckled bench

KALO created the bench using a combination of digital fabrication techniques and conventional tools, which resulted in a modern yet organic appearance. The wooden legs of the bench give off a more subtle and soft effect, which complements the top of the bench that reflects the scattered wooden fragments — somehow fitting together flawlessly in a distinctive pattern suspended in tinted resin.

close-up of material scraps suspended in resin

Bee’ah, one of the Middle East’s leading waste management companies based in the United Arab Emirates, is the design commissioner. The PVC Bench was part of the company’s ongoing project of turning waste into functional objects.

wood and plastic waste bench

KALO is lead by designer and architect Ammar Kalo, who also serves as the director of CAAD Labs and an assistant professor at the American University of Sharjah (Kalo’s alma mater). Like PVC Bench, Kalo’s previous work examines the delicate relationship between advanced technology and traditional artistry. The designer’s style blends conventional with advanced, using material processes and digital fabrication methods in harmony to create unique pieces.

+ KALO

angled view of wood bench on brown background



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Solar-powered home embraces tree canopy views in all directions

In the coastal township of Barwon Heads, Australian architecture firm Peter Winkler Architects has completed the Green Velvet House, a family’s solar-powered home that sensitively responds to the landscape in more ways than one. Positioned for passive solar design and to maximize views over the surrounding tree canopy, the sustainable dwelling was engineered to minimize impact on the existing terrain. In addition to walls of glass that let in natural light and ventilation, the home draws power from a rooftop solar array and minimizes its environmental footprint with rainwater collection tanks for irrigation and toilet-flushing.

person walking on patio wrapped around a two-story home

Nestled into an existing depression in the site, the Green Velvet House rises to a height of two stories with 580 square meters of living space. Its minimalist appearance — a facade of cement sheets and floor-to-ceiling glazing divided by exposed structural timbers — helps to reduce the building’s visual impact on the landscape. “In response to the program, we have minimized the building footprint by efficiently consolidating the form, rather than creating a sprawling building that overtakes the site,” the team explained.

Related: Samurai-inspired home keeps naturally cool in Melbourne

dark sofa near built-in bookshelves and a piano

plywood kitchen counters and island

To keep the focus on the outdoors, the solar-powered home is surrounded by walls of glass and terraces that invite the owners outdoors on multiple floors. The outdoor spaces and the interiors are protected from unwanted solar gain by generous eaves and horizontal screens. The main living areas and the guest bedroom are located on the ground floor, while the upper floor is reserved for the more private areas, including the master suite and two children’s bedrooms. Plywood walls and a sealed fiber-cement ceiling reference the exterior materials and lend a sense of warmth to the interiors. Recycled “Grey Ironbark” hardwood columns and beams are also featured throughout the building.

blue bed in large bedroom with wood ceiling beams and glass wall

two-story home with deck and large rectangular pool

For energy efficiency, the Colorbond tray deck roof is fitted with a 10.26 kW photovoltaic system. The aluminum sliding doors are also outfitted with double glazing, while the double-hung, sashless windows can be opened for natural ventilation. Three 5,000-liter water tanks were installed beneath the north deck to store rainwater for garden use and toilet-flushing, while other stormwater runoff is retained in bioswales. The home is also equipped with hydronic heating, wood-burning fireplaces and a Sanden heat pump with a 315-liter water tank.

+ Peter Winkler Architects

Photography by Jack Lovel via Peter Winkler Architects



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2020. március 3., kedd

Eco-friendly spiritual living at Holy Wisdom Monastery

A basket of bread comes around, and the person next to me removes a chunk, holds it up and says, “Bread of life.” I accept it and do the same for the person on my other side. It’s the first time I’ve ever attended a religious service so egalitarian that all participants are assumed qualified to give each other communion. Earlier, the part of the service where folks exchanged the sign of peace seemed to go on forever; instead of a restrained handshake with their nearest neighbors, people were walking all over the room hugging their friends.

a collage of images: top right, a religious building in the center of the frame, surrounded by a green tree on the right and a red-purple tree on the left. hills are viewable in the distance. top left, closeup of a purple and green plant that grows on premises. bottom left, people walking through a prairie. bottom left, close up of a small white flower.

This is a Sunday morning gathering at the Holy Wisdom Monastery in Middleton, Wisconsin. The unconventional group of Benedictine nuns who run the monastery oversee a whole host of enterprises, from managing a retreat center to restoring the surrounding prairie. While church attendance has declined rapidly in the US, with a Pew Research Center study reporting that more than half the population attends church between zero and a few times a year, Holy Wisdom has a robust turnout even during a Sunday morning snowstorm.

What is it about this non-denominational Christian monastery that draws people from the progressive area around Madison? The welcoming attitude of the congregation, the relatability of the presiders, the gender-neutral language when speaking of divinity and the eco-spirituality of Holy Wisdom attract many people who are looking for a deeper connection with others and with the earth.

An

eco-retreat center

In the 1950s, three Benedictine nuns from Iowa arrived in Madison to start a girls’ high school. They purchased 43 acres of pasture land overlooking Lake Mendota that would eventually become Holy Wisdom. But big changes were happening in the Catholic Church in the early 1960s. In 1966, the sisters closed the high school and re-opened as the Saint Benedict Center. The retreat center was ecumenical, meaning it was open to all denominations.

the exterior of Holy Wisdom in the snow. the building has a tan facade with angular windows

As more retreatants attended events at the center, the sisters felt very connected to people they met from other faiths. “Praying with people from different denominations changed our hearts to be ecumenical hearts,” Sister Mary David Walgenbach said as she showed me around on a snowy February morning. Eventually, the sisters began a long, slow process to become an ecumenical order of nuns open to Protestant women as well as Catholics.

Nowadays, all kinds of people go on retreat at the monastery, either as individuals or in groups. The retreat house accommodates 19 people, plus the monastery has two more isolated hermitages for people seeking solitude. “There are more and more people who want to get away from everything because our world is more and more connected in every way,” said Sister Denise West.

Buddhists are frequent visitors. “The Dalai Lama was here in ’79, so Buddhist groups like to come,” said Walgenbach. Sometimes they’ll do 10-day retreats, using the monastery’s nature trails for walking meditation and taking meals in silence. Nonprofit organizations also rent the monastery’s meeting facilities, plus breakout rooms.

The sisters replaced their original Benedictine House — which was deconstructed and 99.75% recycled or reused — with a new, eco-friendlier monastery, which opened in 2009. The 30,000 square foot, two-story structure is “right-sized” at half the size of its predecessor. The sisters worked with Hoffman Planning, Design & Construction, Inc. to envision one of the country’s greenest buildings.

In 2010, the U.S. Green Building Council awarded Holy Wisdom Monastery a LEED Platinum rating. Four years later, the monastery became Madison Gas and Electric’s largest solar customer. The monastery building generates 60% of its energy needs. The sisters are aiming for 100% eventually. “For us, sustainability is not a trend,” Sister Joanne Kollasch said on the monastery website, “but a commitment to the earth—a 21st century expression of 1500 years of Benedictine tradition.” The designers carefully planned the location of windows based on the orientation of the sun to reduce glare and minimize unwanted solar heat gain. The new building also uses geothermal heating and cooling.

close up of a LEED Platinum award from 2010 from the U.S. Green Building Council

Friends

of Wisdom Prairie

The monastery’s grounds cover more than 130 acres, including woodlands, Lost Lake, gardens, orchards, nature trails and restored prairie. Lots of animals live on the property, too, with whom the sisters try to live with in harmony.

As Sister Mary David Walgenbach showed me around the monastery, we stopped in a room downstairs that the sisters use for prayer. She told me about a turkey that would often catch sight of his reflection in the room’s windows while they were praying. “He’d puff up, turn around,” she said. “And we would split laughing.” When somebody suggested setting bow and arrow hunters on him, the sisters leapt to his defense. “We said, ‘You can’t harm Brother Tom!’” Walgenbach remembered. They fed him from the back door of their house to help him through a harsh winter. Come spring, he flapped off with a roving band of hens.

The five sisters couldn’t take care of the monastery’s land without a lot of help. “We depend on volunteers all over the place,” said Walgenbach. While they’ve been relying on volunteers to help restore prairie lands since the 1990s, the more formal Friends of Wisdom Prairie was established in 2014. The sisters are thrilled to have Greg Armstrong, who directed the University of Wisconsin Arboretum for twenty years, as their director of land management and environmental education. The Friends raise funds for caring for the land, including reducing runoff into the lake and constructing a bike trail. Environmental volunteers join in work parties while learning about ecological land management. Sometimes the Friends host special events, like moonlight snowshoeing on the monastery’s trails or lectures on subjects like owls of Wisconsin or climate change and eco-spirituality.

a library with colorful bookshelves, chairs, tables and windows.

Life among the sisters

Times have changed and religious life holds less allure to most people than it did 60 years ago. “Not a lot of women are flocking to become sisters,” said Walgenbach. “But we have a niche.” Holy Wisdom attracts women looking for a more contemplative life, who share Benedictine values like listening, respect and silence.

The five sisters live together across the lake from the monastery. Walgenbach and Kollasch entered religious life as Catholic nuns in the 1950s. Sister Lynne Smith, a Presbyterian pastor, became the first Protestant sister in 2000. Sister Paz Vital, a lifelong Catholic, and Sister Denise West, who comes from a secular background, both joined the order in the last few years. The sisters often have a sixth woman staying with them who is going through the six-month Sojourner program for spiritual seekers. That’s what originally brought West to Holy Wisdom. “I came here to learn spiritual life with zero intent of becoming a sister,” she said. But once she was back home in New York City, the former schoolteacher felt an undeniable pull back to the monastery.

a sanctuary space full of wood chairs with red cushions. windows at the front of the room let in natural light.

It’s a pull that many progressive Christians around Madison feel, judging from the Sunday morning turnout when I visited, or the 100 people who showed up the day before to help the sisters devise a ten-year plan. People are hungry for connection with the divine, each other and the land, and Holy Wisdom fills this void for folks in Madison and further afield.

Images via Teresa Bergen and Kent Sweitzer



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2020. március 2., hétfő

'I Am a Plastic Bag' is made from recycled single-use plastic bottles

Following the sold-out success of “I Am Not a Plastic Bag” in 2007, designer brand Anya Hindmarch has launched a new product, called “I Am a Plastic Bag”, aimed at recycling single-use plastic and leaving behind a net-zero carbon footprint from production.

The initial “I Am Not a Plastic Bag” release was a campaign to raise awareness about disposable plastic bag usage. According to a press release from the company, “The British Retail Consortium estimated that in 2006, the U.K. alone used 10.6bn plastic bags, and this figure dropped to 6.1bn in 2010. Specifically, Sainsbury’s cut the number of bags they gave away by 58% in the two years that followed the campaign, giving out 312m fewer bags in 2008 than 2009 and saving 13,200 tonnes of virgin plastic over two years.”

Related: Patagonia’s Black Hole Bags are made from recycled plastic bottles

Anya Hindmarch storefront filled with empty plastic water bottles

Thirteen years later, Hindmarch has decided to shift focus. Instead of centering the campaign around reducing plastic bag usage, the new “I Am a Plastic Bag” is made from a soft, cotton-like fabric constructed from recycled plastic bottles to spotlight the excessive waste generated from single-use plastic.

red tote bag and black tote bag on pile of empty water bottles

The manufacturing process begins by washing and sorting the collected bottles before they are shredded and turned into pellets. The pellets are then converted into fibers that are spun and woven into fabric. To achieve the weather-resistant finish, the bags are coated in a recycled PVB made from old windshields. Anya Hindmarch partnered with a Taiwanese company for the finish, which appears to be the only one of its kind that has achieved Global Recycled Standard (GRS) certification.

red tote bag on white cube

After considering faux options, the company decided the least impactful trim was real leather. It sourced the natural meat byproduct as a way to recycle the material. Collected from a tannery in Northern Italy, the leather doesn’t travel far to the manufacturing line.

red tote bag and black tote bag near empty plastic bottles

While Anya Hindmarch designers don’t believe that carbon-offsetting is the answer for an industry known for excessive waste and pollution, they also partnered with EcoAct, a global climate change consultant. EcoAct has been measuring the emissions from the I Am a Plastic Bag production in order to make the process carbon-neutral.

Anya Hindmarch storefront filled with empty plastic water bottles

As a statement of what the line stands for, Anya Hindmarch closed its doors for three days, completely filling the store with 90,000 discarded plastic water bottles and a post on the door explaining the cause. A limited selection of bags was pre-launched in February at London Fashion Week, and the complete four-color collection will be widely available in April.

+ Anya Hindmarch

Images via Anya Hindmarch



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